Ancient Chinese Hanfu is a type of traditional clothing worn during the Han dynasty (206 BCE-220 CE) in China. It is known for its beautiful and elegant design, which reflected the culture and values of the Han people. Hanfu consists of a long robe called a zhongshan, which falls to the ankles and is secured by a sash around the waist. The sleeves are wide and flowy, making it easy to move around in. There are many different styles of Hanfu, each with its own distinct characteristics. The collar is high and straight, giving the wearer a dignified appearance. Hanfu was not just a form of clothing, but also a way of expressing social status and cultural identity. For example, the Huafu style is characterized by its bright colors and intricate embroidery, while the Shanxi style features unique folding techniques and asymmetrical designs. Different styles were worn by people of different classes, and certain colors and patterns were reserved for specific occasions. Today, Hanfu has experienced a resurgence in popularity in China and other parts of the world. In recent years, modern qipao top there has been a growing movement to promote Hanfu as a more mainstream fashion choice. This has led to the establishment of Hanfu societies and organizations, as well as the development of new designs that blend traditional elements with modern fashion trends. Overall, Ancient Chinese Hanfu is a fascinating and beautiful aspect of Chinese culture that continues to inspire and captivate people around the world. Many people see it as a way to connect with their ancient cultural heritage and express their individuality through fashion. The loose-fitting design allowed for ease of movement, making it ideal for activities such as martial arts, dance, and other physical activities. In addition to its cultural significance, Hanfu also played a practical role in ancient Chinese society. The use of natural materials such as silk, cotton, and linen also made Hanfu comfortable to wear in China’s hot and humid climate. Hanfu was not only worn by the Han people, but also by other ethnic groups throughout China’s history. Each group developed its own unique style of Hanfu, reflecting their unique cultural traditions and values. This marked the beginning of a shift towards Western-style clothing, which became increasingly popular during the 20th century. The decline of Hanfu began during the Qing dynasty (1644-1912), when Manchu-style clothing became fashionable among the ruling class. Despite this, there has been a renewed interest in Hanfu in recent years, both in China and abroad. Many people see it as a way to reconnect with their cultural roots and express their individuality through fashion. It can also be seen on the streets of major cities, with young people incorporating elements of Hanfu into their everyday fashion. Overall, Ancient Chinese Hanfu is an important cultural artifact that represents the rich history and traditions of China. Today, Hanfu is often worn for special occasions such as weddings, festivals, and cultural events. Its beauty and elegance continue to inspire designers and fashion enthusiasts around the world, ensuring that this timeless garment will remain relevant for generations to come.

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This Qiyao hanfu set consists of an inner top, outer garment, and skirt, with an overall design that is simple yet elegant, showcasing a perfect blend of ancient luxury and modern fashion. The print designs on the inner top and outer garment are also exquisitely crafted, with a fresh and dynamic interplay. The delicate green flower embroidery on the collar of the inner top adds a touch of freshness and delicacy to the overall look, while the vibrant orange floral prints on the cuffs inject vitality and highlights into the hanfu. These intricate print patterns make the entire hanfu set more lively and interesting, adding a unique charm to the wearer. The combination of the delicate flower embroidery on the skirt hem and the printed skirt body is truly stunning. The meticulous handling of the flower embroidery complements the printed skirt, showcasing a gentle and beautiful effect. Whether it is for everyday wear or special occasions, this Wei Jin Qiyao hanfu exudes a unique charm and confidence for the wearer.

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Abstract: Hanfu Gang is a project aimed at educated, young fashion lovers (primarily 16 to 26 years old) who are interested in Hanfu, the traditional clothing of ethnic Han Chinese people who ruled China for most of its history. People wore the style every day until it was slowly replaced by a modern, Western clothing style after the end of the Ming dynasty-as the Qing dynasty only allowed females to wear Hanfu-and it was replaced by the modernization that came with the establishment of the Republic of China. For a long time, people saw it only as a costume for Chinese Opera and period drama until the early 2000s, when the younger generation started to revive this traditional clothing. In the beginning, only Hanfu enthusiasts wore it for important holidays and only a few were seen wearing it in public. Hanfu has been through thousands of years of evolution. My target audience is curious because they have seen this clothing style on the internet, or because they are fashion enthusiasts, or because they are afraid of experimenting with their alter­native fashion. After many years of promoting Hanfu as an important part of the ethnic culture, more and more people have started wearing it, and some daily.

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Hanfu, the traditional clothing of the Han people, has seen a resurgence in China. Its elegance, history, and cultural significance make it a fascinating aspect of Chinese culture for travelers. If you’re visiting China, learning about Hanfu offers more than a fashion lesson-it’s a window into ancient traditions and modern revival. Hanfu (汉服) refers to the traditional clothing worn by Han Chinese for over 4,000 years. Why is Hanfu Popular Again? It’s characterized by flowing robes, wide sleeves, and intricate patterns. Unlike the more commonly known qipao, Hanfu has a richer, older history that represents different dynasties and social classes. Flowing Silhouettes: Hanfu consists of layered robes, often tied with sashes. Wide Sleeves: Wide sleeves allow free movement and add elegance to the attire. Historical Patterns: Expect motifs like dragons, phoenixes, and flowers. In recent years, Hanfu has become a growing trend among young Chinese people. When walking through cities like Beijing or Hangzhou, it’s common to see people wearing Hanfu on special occasions or simply for a photo session in parks. This revival goes beyond fashion; it’s about reconnecting with traditional culture. Why is Hanfu Popular Again? Cultural Pride: Many Chinese citizens view Hanfu as a way to reconnect with their roots. Social Media Influence: Instagram and TikTok have played a big role in spreading Hanfu’s beauty globally. Hanfu communities and events have sprung up, celebrating this ancient attire. Cultural Renaissance: Alongside Hanfu, other traditional customs are also making a comeback, like tea ceremonies and poetry recitations. If you’re planning to visit China and want to immerse yourself in Hanfu culture, there are several key destinations and experiences you shouldn’t miss. Dress in Hanfu to explore ancient palaces or scenic parks and feel like you’ve stepped back in time. Many Chinese tourist attractions now offer Hanfu rentals. Forbidden City, Beijing: Walk the ancient halls of China’s imperial palace while dressed in traditional attire. Chengdu’s Kuanzhai Alleys: Experience Hanfu in the charming old streets of Chengdu, famous for its Sichuan culture. West Lake, Hangzhou: Rent Hanfu to wear while strolling around this serene, picturesque lake. These festivals are perfect for travelers seeking an authentic cultural experience. China hosts various Hanfu-related festivals where enthusiasts gather to showcase their attire, take photos, and participate in cultural activities. Luoyang Peony Festival: Attend this annual festival in Luoyang and see thousands of people dressed in Hanfu among the blooming peonies. If you decide to wear Hanfu during your trip, it’s essential to understand the etiquette to respect the culture. Xitang Hanfu Culture Week: This festival held in a water town brings together Hanfu lovers from all over China. Research the Basics: Learn a little about Hanfu styles from different dynasties. Pose Respectfully: Keep in mind the elegance of Hanfu when taking photos. Be Mindful of Events: Some events may require specific styles of Hanfu. Treat it as a Costume: Hanfu holds deep cultural significance, so don’t treat it like cosplay. Wear Modern Accessories: Keep the look traditional by avoiding modern shoes, handbags, or jewelry. Avoid casual poses that may seem disrespectful. Guangzhou’s Shangxiajiu Street: A shopping haven with stores specializing in Hanfu. For travelers wanting to take home a piece of Hanfu, there are many stores-both physical and online-where you can purchase an authentic set. Chengdu’s Jinli Ancient Street: Browse through Hanfu stores amidst a backdrop of traditional Chinese architecture. Taobao: China’s largest online shopping platform offers an extensive range of Hanfu. Hanfu offers a unique way to engage with China’s cultural heritage. As a traveler, wearing Hanfu during your visit can deepen your understanding of China’s history while providing an unforgettable experience. A Hanfu dress, complete with matching accessories, serves as a beautiful souvenir and a reminder of your connection with Chinese culture. By embracing Hanfu, you open the door to exploring other Chinese traditions, from food and tea culture to festivals and historical reenactments. Taking part in a Hanfu experience also gives you the chance to bring back a special memory. Hanfu is more than just clothing-it’s a living piece of Chinese heritage that travelers can actively experience. It enhances your trip beyond the usual tourist attractions, offering a deeper sense of place and history. Whether you rent a set for a day, join a Hanfu festival, or purchase your own as a souvenir, embracing this beautiful tradition adds a new layer to your China journey. So, on your next trip, why not step into history and see China through the elegance of Hanfu? Ready to explore Hanfu culture on your next trip? Contact us at Travel China With Me for a tailor-made itinerary that brings you closer to China’s rich traditions.

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Hope I posted in the right subreddit. I don’t particularly care for manchurian dress, but it seems that they have been incorporated so seamlessly into Chinese society that people don’t raise an eyebrow when they see it on the streets. In a similar way, the Japanese and the Koreans are also used to seeing kimonos and hanbok in everyday life. I should note that by hanfu I’m referring specifically to attire in the Han dynasty, seen here on a dude and a woman. EDIT: Thanks for the responses, both positive and negative. I’ve decided to go for it. I’m thinking about buying a couple of hanfu outfits every year (the outer layers and inner layers can be mix-and-matched) to build up my wardrobe so that I can wear a hanfu outfit to work maybe once a week, paired with my normal 21st-century haircut and shoes. But instead of wearing the theatrical pieces that I linked to, I’m making my own.

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After the golden week, intelligent woman going to choose to shopping, reduces the Golden Week shopping impulse, avoiding crazy crowds, this time you can use a variety of korean Party method to reward yourself, small series for your four tips to keep you in golden week with the lowest price to build the most beautiful dress. At this age, is good. Just accept adult baptism, or is about to fade away and burn your own youth and vitality to the point where their reward, is not disturbed by the earthly disruption of carefree mood. Picking a few pieces of design fancy goods, the brand is not the most important, as long as you want, in a careful mix of little, inexpensive, good effect. You can pick from oneself like korean styles and colors that make up its own personality, this time may not have a concept of occupational and other reasons, you have to wear an own. Because this is a “showcase of autumn”. This year’s autumn is colorful, it may be more concerned with some colourful. A pair of good shoes, or the bag for you. But the personality of the most stylish accessories, fold belt necklace, General white t-shirt becomes attractive. There are clearance stock shaoshu brand to, will launch a sale, you can go to carefully selected, locate those discounts with popular this season, premium and fashionable products. You’ve stepped into the community, through the baptism of personnel, job ads, you start an endeavor of passion: career passion, passion for love. You still retain their youthful and beautiful gesture, also has competence demeanour, you need to use fashion to reward yourself, and to reward their hard work and effort, you have to show they are: a modern beauty and capable career temperament. You can buy a workplace popular knitting clothes, even a very korean patent leather belt, with imaginative, you’re the brightest of the workplace of a star. People without good shoes inferiority. A pair of good shoes are you succeed. 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You can take the initiative to ask the recommender, how to apply for the brand’s VIP. Become a brand of VIP, and then enjoy the VIP treatment for the discount. If we say that those parties and receptions are necessary, so from now on, let it be a swap, dress from the change yourself, let you add a little more the feeling of craftsmanship in others hearts. Let the magnificent silhouette contain more adventurous spirit. As long as you are careful to find that today’s major brands, no longer trying to fit in, but the garment design mind is the clothing company also do “branding” of articles. Northland New Zealand, the vine’s another brand new love according to market, design hanfu more unique, use of color and more daring, and if you were previously a cane’s enthusiasts, then try it for a brand, the benefit is style in General, you can give a great feeling. A skirt and kit are also interesting and productive. Advises of Expenditure: all of the budget to buy a costume! Several thousand dollars in a single product, one upper body, there will be a Visual Flash bad eye, this time, turning a simple action, is magnificent. Then, you turn to the gorgeous is to spend all of the budget. Some korean fashion brands of the brand are relatively affordable, but also more personality. Become a VIP Shopping Centre will be able to avoid the rush with love and select VIP concert hanfu, so you will not only be able to enjoy additional benefits, you can also send various VIP store SMS information, the most direct and economical shopping information. So choosing a brand in a match its main brand of the jacket is an affordable solution.

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Talk to me here! This blog began as CS based but has widened to whatever else I like – currently a lot of Leverage, Ace Attorney, and Dracula (as well as other classic lit substacks). Late 20s, she/her. Fic and meta writer, on AO3 by the same name. I ramble in my tags. Talk to me anytime, I’m sporadic about being on here but I enjoy conversation! Read them, chinese traditional clothing male half the time they’re longer than my actual posts. Also writing prompts if anyone feels so inclined. Powered by Tumblr. Minimal Theme designed by Artur Kim.

Hanfu (simplified Chinese: 汉服; traditional Chinese: 漢服; pinyin: Hànfú) is the traditional styles of clothing worn by the Han Chinese. Traditionally, hanfu consists of a paofu robe, or a ru jacket worn as the upper garment with a qun skirt commonly worn as the lower garment. There are several representative styles of hanfu, such as the ruqun (an upper-body garment with a long outer skirt), the aoqun (an upper-body garment with a long underskirt), the beizi and the shenyi, and the shanku (an upper-body garment with ku trousers). In addition to clothing, hanfu also includes several forms of accessories, such as headwear, footwear, belts, jewellery, yupei and handheld fans. After the Han dynasty, hanfu developed into a variety of styles using fabrics that encompassed a number of complex textile production techniques, particularly those used to produce silk. Hanfu has influenced the traditional clothing of many neighbouring cultures, including the Korean hanbok, the Japanese kimono (wafuku), the Okinawan ryusou, and the Vietnamese áo giao lĩnh (Việt Phục). Nowadays, the hanfu is gaining recognition as the traditional clothing of the Han ethnic group, and has experienced a growing fashion revival among young Han Chinese people in China and in the overseas Chinese diaspora. Up to a certain extent, hanfu has also influenced some elements in Western fashion, especially those influenced by Chinoiserie fashion, due to the popularity of Chinoiserie since the 17th century in Europe and in the United States. Silk remains a core element of Hanfu and Chinese traditional clothing.

A strip titled “Evolution” from Alfonso Wong’s “Old Master Q” comic series, drawn in the 1950’s to 1980’s Hong Kong, ironically but accurately predicted the return of Hanfu. Hanfu has experienced a 360-year discontinuation, and has faced tremendous challenges in attempting to restore itself as the representation of a people who consists of one fifth of the world’s population. However, how much of these are stereotypes? We, the people of the Internet and Television era, may have only heard of or seen these clothing on the glowing display screens showing martial arts flicks and staged opera, and specific styles of these clothes represent certain eras of the Chinese past. If not, what do the others wear? Even if a style of clothing is said to be “xx-dynasty style”, do all people of that time wear that? Hence, it is important to discuss Hanfu as all other (active) fashion should be: by function and formality. Despite each dynasty having its own unique features in its official clothing standards, it does not stray far from the Book of Rites and five major functions of society. Reviving this tradition in a world without a monarchical reign means that many of the social strata requirements attached to these clothing will have to be redefined. Doing away with monarchy and related concepts of social hierarchy, what becomes of the system of objects that has structured the way we have been dressed for the past 4,000 years? In all the dynasties’ official standards, the first entry on defining clothing is always the Emperor’s ceremonial clothes, reserved specifically for the most important occasions like ascension to the throne and the Heavenly Sacrifice on Mount Tai. Upon re-investigation and mutual decision, no other factor can defeat functionality and form as the prime qualities of classifying clothing, for these two directly address the internal and external raison d’être for what we garb onto our bodies. As a longtime researcher of the movement, I have observed and openly stated an outline of what a systematic, structurized diagram of Hanfu organized by function and form would be, throughout the pages and posts of this blog. In turn, the modern redefinition of Hanfu challenges the previous archaeologically centred view of observing the features and peculiarities of particular period depictions, resisting the notion of Hanfu as an “ancient Chinese clothing” or something be put on a pedestal in a museum. However, it is only all the more convincing when yet another member of the Hanfu community (outside of the eyes and hands of academia) actively scribes and formulates an extensive (if not attempting at exhaustive) description of this system which the community has been building in mutual acknowledgement. Beginning in early 2011, A Baidu netizen and German expatriate known as Yizhanfeng (“A goblet of wind”) created the Hanfu Wiki and digital zine Hanfu Shidai in aims to perfect and publicize this new understanding of Hanfu as a living system of fashion. I have written extensively on the classification of robes (shenyi included) and headdresses, and is published as a Powerpoint slideshow, accessible from this very website as a promotional and informational resource. Allow me to stop now in my own words and begin to relay his messages in the following paragraphs below and subsequent sub-pages attached to this cover, in translation to the best of my ability, to bring this glorious recovery of knowledge worldwide, and sharing the Chinese grassroots-driven enlightenment in global synchronization. The lack in standards of form has constantly haunted the Hanfu Movement and impeded its development. The writer has read through various essays on the classification and division of Hanfu shapes and forms, and discover that most are scattered at best, and could not form a holistic picture of the system. An idea sparked: Why not create a contemporary system for Hanfu? The mess of classifications and names have led to various ways of calling it among different people, and causing a situation where “you have your word, I have mine, and no one gets what the other is saying.” Rifts form among the community, where as a result, our promotion and research efforts become blockaded. But fortunately, we have a wide community base of Hanfu restorationists, who have been trained in various fields of specialities and have access to a range of professional knowledge. I strongly believe that if we can sort out this knowledge, the result would definitely be a marvel to behold. Hence, the author decided to build an encyclopedia based on Wikipedia’s framework – allowing everyone to build our contemporary Hanfu system. The author is an organizer and a participant, and am looking forward to everyone’s opinion. But such ways in gathering netizens’ collective intellectual base are often looked down by certain groups of people – they believe that the stuff of the Internet can only be used for recreation or entertainment, and knowledge is best left to the professional hands of academicians. 5. The process of building is promotion in itself. The reality is, however, precisely because there is no current standard or authority on the matter, the only way to get commensurate and reasonable results is obtain collective approval, qipao wedding legitimizing it as a mutually-recognized standard. Hanfu is not a natural science, but the concensus of a group of people. As well, from the point of practical operation, it is too unpredictable to simply sit and wait for academia or administration bodies of power to dictate standards. Our generation no longer allow the development and understanding of Hanfu sit in stagnation: The Hanfu Movement rose and sprouted from among the citizens, and as a cultural phenomenon, should be narrated and propelled from the forces of the citizenry. As long as we have the approval of the majority, we can come to believe that this standard is reasonable. The Hanfu community is full of professionals and experts, and their knowledge base are of an impeccably high standard in content. If this quality can successfully resist and counter the doubts in our time, then it also guarantees the foundational rationality of our system itself. Tieba. Then according to the opinions and suggestions of the community, the framework was expanded and enriched to our current version. This not only proved the method’s plausibility, but also the diligence and contributions of the community, and it shall continue on well into the future. As the collector and organizer of this project, I am overjoyed to see the healthy maturity of this gem. The first official version does not mean the full maturity of Hanfu as a system of objects: it is actually quite the opposite. After years of progress, we have essentially reached this first level of Hanfu as a concept. We recognize the notion that Hanfu refers to “the traditional clothing of the ethnic Han Chinese”, and encompasses the temporal band from the Sage Kings to the Ming Dynasty. This is the representation of an indomitable contribution by our forerunners. This refers to taking Hanfu’s innate features and functions as a basis for sorting and classifying its various individual specimens. We have already received many accomplishments, but we have to admit that we still have many issues yet to solve, and require more dedicated work. This project directs to solve this layer of understanding. Form refers the “shape” and “style” of a thing, which means that form defines the details of Hanfu itself. Don’t underestimate this short little sentence, as every term in it was fiercely debated and gave a rude awakening to many comrades. “form”. “Details determine the success or failure”, as any mature fashion must certainly contain years of practical experience into designing a piece of clothing with the maximum practical result. Imagine: would a Western suit tailored to not fit the body bring out the ideal effect? How long and wide must each panel of cloth be, the ratio of waist to body, proportions of the design, the patterns used for the situation… Neither would a piece of Hanfu made without consideration of every last detail. For the past few years, our forerunners have already bore much fruit, such as the investigation and reproduction of various designs – but these results come in individual tidbits and scattered, without relation to the framework of Hanfu as a whole or a platform. The author believes that that is due to the lack of building towards the second layer we now know as the construction of a “Hanfu System of Objects”. But regrettably, because of the disconnect of the tradition for the last few centuries, our precious experience is almost all but lost, and we are building from the ashes of our cultural ruins. As mentioned in the previous version, the author mentioned that netizens called for an encyclopedic glossary or database for Hanfu, for ease of organizing related information. Luckily, we did it. The author wishes that through building this system, we can perfect our understanding of our Hanfu, and provide a reasonable framework to understanding it. With the help of fellow Hanfu comrades, we have been continually eliminating mistakes, and clarifying our thought patterns, and can finally present a new version. Pictures used in the Wiki all come from online sources. If there are any infringements of photo rights or copyrights in fair use, please tell us so. Version 2.0 takes on primary data in the Hanfu Baike, and the author is every editor in every article in the project. Version 2.1 combines the advice and corrections from fellow comrades and rearranged various illustrations. Particular expansions have been made about formal dress, and “individual Hanfu pieces” have been renamed to “Hanfu styles”, while the original article of Hanfu styles is now renamed to “Hanfu functions”.

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In the long-standing history of Chinese aesthetics, a long flowing robe with sweeping sleeves and a touch of lustre – Hanfu – has been a great treasure of Chinese culture. This kind of traditional clothing once mainly appeared in books and on television, but has now quietly become a new street fashion scene. As a means of self-expression, Hanfu has returned as a modern style statement for the younger generation. During July and August, the two malls have orchestrated a symphony of Hanfu-themed activities, bringing people on an immersive journey through the past and present. Visitors can make a stop at the exhibition that showcases historically significant restored Hanfu, join the free Hanfu try-on experience, and take a stroll through the Han Market. From appreciating cultural heritage to experiencing a unique leisure activity, this event has it all. Experts from different organisations have come together to make this event a success, among them the Chinese Culture and Hanfu Hong Kong Association. Lily Luk, the chairperson of the association, said that the rise of the Hanfu trend was started 20 years ago by a group of ancient clothing lovers in Mainland China who wanted to promote traditional Huaxia (a concept representing historical ideas about Chinese civilisation) culture. This summer, with the support of professional Hanfu restoration teams, Link launched “A Date with Hanfu” at Temple Mall in Hong Kong and Link CentralWalk in Shenzhen, marking the first collaboration between the two malls. At the same time, young Hanfu entrepreneurs have emerged who strive to produce innovative Hanfu designs using modern fabrics and techniques, giving people a variety of Han-style garments to choose from, and accommodating different daily needs. With the meticulous restoration by Hanfu research teams, ancestral wisdom and craftsmanship are brought back to life in modern society. “This is the beauty of Hanfu,” Lily said. Clothing in the Huaxia tradition dates back 5,000 years, with Hanfu providing a gateway for people to discover the rich culture of traditional dress. Why promote Hanfu? Lily explained the significant meaning behind this trend. On a related note, the growing interest in Hanfu provides entrepreneurs the chance to explore and develop new business models following their own interests. “Hanfu creates a sustainable economic model, as it allows people to pursue their own hobbies while participating in the cultural economy, which creates both economic and cultural value,” Lily said. Lily Luk, the chairperson of the association, said that the rise of the Hanfu trend was started 20 years ago by a group of ancient clothing lovers in Mainland China who wanted to promote traditional Huaxia (a concept representing historical ideas about Chinese civilisation) culture. Experts from different organisations have come together to make this event a success, among them the Chinese Culture and Hanfu Hong Kong Association. With the meticulous restoration by Hanfu research teams, ancestral wisdom and craftsmanship are brought back to life in modern society. “This is the beauty of Hanfu,” Lily said. At the same time, young Hanfu entrepreneurs have emerged who strive to produce innovative Hanfu designs using modern fabrics and techniques, giving people a variety of Han-style garments to choose from, and accommodating different daily needs. Clothing in the Huaxia tradition dates back 5,000 years, with Hanfu providing a gateway for people to discover the rich culture of traditional dress. On a related note, the growing interest in Hanfu provides entrepreneurs the chance to explore and develop new business models following their own interests. Why promote Hanfu? Lily explained the significant meaning behind this trend. “Hanfu creates a sustainable economic model, as it allows people to pursue their own hobbies while participating in the cultural economy, which creates both economic and cultural value,” Lily said. This is why Lily and her team decided to collaborate with a shopping mall operator for the first time. According to Lily, however, it hasn’t necessarily been easy to promote Hanfu in Hong Kong. Leveraging Link’s extensive community network has made it much easier for Lily’s team to reach a broader segment of the public. Furthermore, her team has also organised talks and traditional handicraft experiences in schools to accompany “A Date With Hanfu”. Temple Mall has also partnered with the Hong Kong Hanfu Group – Danqing Hanfu to meticulously recreate the Hanfu attire of eight illustrious figures from Chinese history. Among them are China’s Four Beauties (Wang Chaojun, Yang Guifei, Xi Shi and Diaochan); strategic maestros Zhou Yu and Zhuge Liang from the Three Kingdoms; and the great poets Su Shi and Tang yin. Undoubtedly, restoring the Hanfu of historical figures is challenging, but it also has an interesting side. Tin Kit, the chairperson of the Hong Kong Hanfu Group – Danqing Hanfu, talked about the hurdles his team overcame when restoring Hanfu for the event. When working on the costumes of Xi Shi and Zhou Yu, for instance, there were no portrait references, so the team carried out extensive research into these two figures, ultimately deciding to design their Hanfu according to the clothing culture at that time. For example, the team restored the costume of the genius military strategist Zhuge Liang. Attracted by his legacy, game companies and TV shows often produce content about him. Putting the challenges aside, Kit’s team also made some innovative changes to the costumes, with the aim of breaking stereotypes of ancient figures. Such depictions have influenced the public’s impression of this legend, leading to an assumption that he would wear luxurious costumes. In fact, despite his wealth and power, Zhuge Liang actually lived a really simple life. Therefore, Kit’s team used linen cloth when restoring Zhuge Liang’s costume. “We hope this enables people to see Zhuge Liang for who he really was,” Kit said. On the day of the interview, Kit showed up in his daily attire – simple Hanfu. He joked that his clothing style used to attract curious stares from people on the street. These days, however, more people are aware that he is wearing Hanfu. When asked where his passion for Hanfu came from, Kit said, “It was born out of love and a sense of responsibility to educate the next generation about our very own people, culture and history.

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